![]() It's a relief for listeners but also for Weiland, who gets to try more different sounds than on any record since.well, 12 Bar Blues, which this is a virtual remake of, right down to his strange affection for Tom Waits-ian Germanic stomps. This gift was submerged during Velvet Revolver, who always swung for the fences just a bit too hard, so it's a bit of relief for everybody to hear him just settle back and play pop. As pop problems go, this is pretty minor after all, what matters is the sound of the record, and Weiland always has shown an enduring gift for candied psychedelic and fizzy glam hooks. #Scott weiland happy in galoshes mediafire fullAll this turmoil roils underneath the surface of Happy in Galoshes, which follows his underrated solo debut, 12 Bar Blues, by a full decade, but the perennial Weiland problem remains: all that angst seems to be an excuse for the songs, as the pain never fully inhabits the music. And the truth is, if anybody had reason to indulge in a little miserableness, it's Weiland, who once again suffered through a year that would have knocked out the knees of mere mortals, losing a brother, losing a wife, then trudging through the last days of his supergroup, Velvet Revolver. Scott Weiland is just a little too enamored of his tortured soul, titling his long-delayed second solo album Happy in Galoshes, a rather convoluted reconstruction of only being happy when it rains (he truly is a creature of the '90s). Guitar, Keyboards, Dulcimer, Lap Steel Guitar – Doug Grean Scott Weiland – 'Happy' In Galoshes (2008)ġ1 Pictures & Computers (I'm Not Superman) 6:49īass, Drums, Guitar (Bass) - Allen Smitheeĭrums, Percussion – Michael Weiland, Joseph "Panhead" Peckįrench Horn, Trombone, Trumpet - Probyn Gregory ![]()
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